Category Archives: writing

A New Semester, Part One

Indira Ganesan, Last year's snow cover, 2012

Indira Ganesan, Snow Cover, 2012

I exchanged my early morning volunteer radio program to teach.  My first class was Wednesday, January 16, during a mini snowstorm.  Friends drove me to class in a loaner Mercedes, as the trees alongside the highway were painted with white swirl.  We found our way back on the main road after one exploratory exit that did not quite pan out, and made it on time.  I fumbled quite a bit with the seatbelt release as snow fell all around, and my friends were in stitches with laughter.  A flurry of hugs, and I hurried to collect the syllabus in one building, and raced to class in another.

Waxing eloquent, I thought, I bade the students look outside through the classroom window at the landscape, thinking to remark that the numerous tree stumps were transformed by the snow to resemble gravestones. In fact, they were gravestones, the students gently told me; our class looked over a graveyard.  Joyce, I said quickly, think about Joyce, and “The Dead.”

It is a gift and honor to teach again, to have conversation again on the subject of story.

My friends picked me up, and after dinner, arrived back home eighteen hours later after we first set out. I was exhausted in the way my old college friend Sue once described exhaustion: a good hard-earned tiredness that came after a full day out teaching.  She was describing the hard task of teaching secondary school.

A few weeks later, another snowstorm.  This one caught me unaware, and I drove inch by inch in wild snow last Monday night, trying to see as far as the headlights would allow, finding that if I turned on the  high beam lights, the snowfall was much more terrifying to look at.  E.L.Doctorow said we write in the dark, seeing only as much as headlights allow, slowly moving forward until we are home.  A trip that would have taken an hour took me two, terrified of skidding, aware I was holding up traffic behind me, blasting my music to quell my fears, until an ambulance and pick up passed me, covering my window with sludge.  How on earth had I not known an ambulance was behind me?

A Short List of Likes for Late January

Cottage Loaf

Cottage Loaf (Photo credit: mer de glace)

Virginia Woolf: Cottage Loaf.

This is a link to a blog that couples writers and food.  I was so happy to see this recipe from Virginia Woolf.  The writer says this about herself on her About page:

Part historical discussion, part food and recipe blog, part literary fangirl-ing, Paper and Salt attempts to recreate and reinterpret the dishes that iconic authors discuss in their letters, diaries, essays, and fiction.

Nicole is a voracious consumer of both food and literature. Originally from the San Francisco Bay Area, she currently cooks in a very small kitchen in New York City, and currently reads almost everywhere.

I say rush on over and check out her work!

More things I am happy about:

Abi Maxwell’s debut novel, Lake People.  It is incandescent in its plain-spoken lyricism.  So much paradox in that description, I know, but read the book!

I recently discovered the meaning of “paradigm.” A student in a class used it, and I had to go look it up.

Little flurries of snow falling now.

How Joyce describes his potatoes as “floury”

Scandinavian crime drama, in Danish.  It was brought on by my interest in MI-5.  Then The Eagle.  Now, The Protectors. Let my subdue my guilt by pointing out The New Yorker had a recent article  by Lauren Collins in the January 7 issue under “Letter from Copenhagen”on the same.

The quietness of this morning.

When it snows in winter

Indira Ganesan, Almost a Bridge, 2013

Indira Ganesan, Almost a Bridge, 2013

I am as happy as a child waking up to snow-covered landscape as I did this morning. No need to think of work, driving, black ice. Instead, I went out to snap a few photos, of which the one above is the Ansel Adams enhancement.

We had an inch and a half or so of snow, in a year that is different from last year’s mildness. The cold has made it last and I wonder how the horses are faring in the field.

I have begun a new job, with a long commute. For part of the journey I need to drive and be mindful of weather; the other part is where I am passenger, recipient to daydream and reading, the necessary components of composition. As a child, I loved to gaze out the car windows as the Midwestern cornfields swept past, regally bowing. I was not an “I” but part of a symphony of my own imagination. What is transport and season but movement?