Biggest Fear

Indira Ganesan, Gather Ye Rosebuds, 2023

My biggest fear, says the nine-tailed fox, is dying a slow agonizing death in a wasteland, away from the one I love. Watching this k-drama, I think, yes, that would be my fear as well, for loneliness is devastating. But my cat chooses to jump on me then, and begins to purr. How could I be lonely?

One of the best things about living where I do are the horses I can see grazing from my high windows. They are past the small line of wetland, on a farm that has recently become condominiums, though the owner decided to keep the horses. I haven’t seen the horses for a few days and worry they have been moved elsewhere. A neighbor assures me they are still there. It is small good thing to see, horses grazing.

It is late October, and I decide to buy discounted blue lobelia for my balcony. They might last another month. The fuchsia stills blooms, as dies the stray nasturtium and morning glory. The hummingbirds have fled for warmer temperatures. I will turn 63 soon, though I still feel like decades younger, —nostalgic as well. I saw Madonna on her Blonde Ambition tour—I had a T-shirt from that show once. Sunday I will watch a movie of the Taylor Swift Eras show.

In my teens, a prophetic friend warned me to gather today’s rosebuds—was it a line from a French poet? I confess regrets for not saying yes when asked out decades ago by various people I met. A man appeared at a farmer’s market once in Boulder to offer his umbrella to me, and asked if I wanted to join his friends for lunch. Feeling shy, I declined, but twenty years later, I wish I had joined him. Bus stop was one of my favorite songs after all, and I did not see the romantic umbrella trope in front of me! Is loneliness a choice limited by fear? Does fear make us choose lonliness—fear of choosing unwisely?

Winter thoughts.

Still, the cat.

And I just saw a horse.

Peeking at Endings

A friend once claimed he read the end of books just in case something might happen to prevent him from reading to the end. He was joking, but I bet serious, too. What if I die not knowing is our fear, is it not?

Despite peeking, I watched the remaining episodes of The King’s Affection, and found the show magnificent and satisfying. It offered twists, and surprises. The ending could have been tragic, like Hamlet, with everyone dead, facing the logical conclusions of their respective actions. And in this drama, the actions were dire, violence dragged through political machination. Yet variations of endings were offered, with happiness a possibility at last, defined by love and companionship. 

I think binge watching a serial drama lowers my capacity for patience. It makes me restless, wanting my questions answered ( who ends up with whom, mostly), unwilling to see the unfolding of story, the slow tease of reveal. For instance, I have started watching another Kdrama, one that is also full of dramatic curves, but one that also has me laughing out loud. And at episode ten, I peeked to episode thirty to see how it all shook out. I left room to be surprised though, though I am aware of where the show will end. I did this though I swore not to.

It has been ten years since my dear friend Rosie passed. I miss my companion, my best literary critic. Her husband and family remain heartbroken—her life cut too short. She would roll her eyes at my kdrama obsession. Are you mad, Indira, she would say, and I would laugh.

There was no way for me to peek at the ending of our story together, no way to predict what would happen when we first met all those years ago in San Diego, both newly employed at the university there. She was brilliant, a young professor who would go on to take her field by storm, a highly in-demand mentor and scholar. I had written one book at the time , and of the maybe hundred people who had read it to the end, she was one. We became fast friends, sisters really, and my family became hers.

I only stayed in San Diego for three years, leaving in 1995, but we remained friends for twenty more years , but that was all the time allotted to us.

All over the world now, friends are losing friends in the disaster of war, in the wake of illness and old age, or sheer accident. Nothing prepares you, and nothing explains the sense of powerlessness and loss in the face of death. 

Indira, my friend Rosie would tell me now, go back and finish up your silly tv drama, and stop worrying. Better yet, darling, go write another book.


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War, Helplessness, and KDrama with spoilers

Indira Ganesan, Distant Geese, 2023

As I write this, a war is killing hundreds of children. Families are broken, people are missing, and nothing was what it was a few days back. I read the news, which is so new and disturbing I have not yet reached the point of numbness, the automatic protective measure of a thinking brain. Politics is on the stage, while the people get trampled.

I have lately been watching a historical Korean drama, The King’s Affection. If you want to watch it, be warned that this essay will contain spoilers. It is a drama of gender politics, in which a man fully declares his love for another man, suggesting that love simply is love, and is not reliant on heterosexual trope. It is also about the very different values placed on a woman’s worth in society, as well as the strict caste system that subjugates those who have no wealth or status. I binged through the first twelve episodes of this twenty-part serial, until I reached the very horrific plot twist in which a character who has finally been able to taste freedom for the first time, if not happiness, is forced to once again become indentured to the political manipulation of the kingdom.

I have already cried my way through these twelve episodes, as well as laughed, but I am wondering whether I will continue this drama. True to form,I googled the ending this very night. I will continue watch it, most likely, swayed by the beauty of the actors, and because on the whole, I like to complete things.

Why am I writing about this, other than it is my latest obsession? I think we escape life in many ways, seeking distraction from time, the way hours divide our days. My day is defined by when I drink coffee, snd when I have dinner. Both lets my body relax in the knowledge of the routine, the expected. Lunch is never so forgiving—usually a scramble in the day.

Watching these serials with subtitles lets me absorb the audio thrill of another language, and some food culture. I become enchanted as well.