Chekhov’s “Misery”

One of my favorite stories is “Misery” by Chekhov. It is a simple story of a cab driver who ferries rich Russians from one party to another, or takes them home. In this short story, the driver has learned of his son’s death. In vain, he tries to speak of his loss to his passengers. One by one, they reject him, demanding he drive fast, get them to where they are going. At the end of his shift, the driver pours his heart out to his horse, the only one who will listen patiently. As I write theese sentences, my eyes fill with tears, because this story more than others touches my heart with truth. Despair is a lonely thing. Grief is a private matter.

When my father died, I heard the news on the phone, as I hung on to the receiver as my sister-in-law drove through the night to reach my mother, my brother ahead of them in his car. After hanging up the phone, I sat still on my sofa that November night, shocked to my core. I forced myself to arrange for a flight home in the morning. But then I sat still. After an hour or hours, I thought, I must call someone. But who? Sadly, the one person I thought of, an acquaintance who lived only a doors away, later told me that she decided, on seeing my name flash on her phone, not to pick up. Who knows why? It was not yet midnight, but maybe it was. I had not called anyone so late at night in decades. I did not call anyone else.

The next day, I went to the grocery store to pick up snacks for the flight home. I think I just needed to do something. Someone I hardly knew noticed something in my face as we spoke, and asked what was wrong. Careful now with my grief, I said nothing. And weirdly, I told the cashier, who I knew from being a frequent customer, but what could he do but stammer a sympathy, and turn to the next person in line.

Grief is a fragile thing. Needing cat care while I was away, I let other neighbors know, and received sympathy, a few hugs.

I decided to email two people at the arts center which also served as my landlord, thinking that as they too lived nearby, I might be able to share my misery. Again, no one replied, no one phoned, though one did later email his brief condolences. They were young people, far younger than me, and I didn’t really belong in their world; perhaps they simply did not know how to react. Had I reached out to the university I taught at, my needs might have been met better. What did I want ? Acknowledgement. Sympathy. My father would have recognized I was searching for the impossible: meaning. Maybe my emails landed in their spam folder. But I thought I needed to turn to something bigger than myself, an institution that could hold my grief, direct its flow, comfort me. I did not really need an institution or acquaintances. What I really needed was a horse. What I really needed was my friends.

Finally, I went to the radio station where I volunteer and told the staff, all men who barely knew me, who akwardly offered sympathy. But what was important was they held space for me. They recognized something significant in the moment. Perhaps, being closer to my age, they recognized a need I could barely express. Again my eyes fill with tears as I type this, plus a pressure builds in my chest. The ache of lonliness can be severe. The ache of powerlessness in the face of death.

At the airport, as I ate breakfast, I listened to a couple sitting next to me, and I was filled with the urge to say something. I didn’t. How could they eat their eggs so calmly? We held the funeral that weekend. I returned to my apartment in a town I had lived in for only four years.

I think of the millions who have died due to COVId-19, to the shock of loss that greets families each day, each hour. I cannot compherend the number. I distract myself with stories in the newspaper, distract myself with zoom lectures. I wear my mask, and keep to myself, generally. Yet how will this misery play out?

I began to write this two years ago, and still work on it. I recognize I am still hurt by the rejection I received from the people I had initially turned to in my grief, and want to strike back, though they will never read this. I think in times of abject misery, grief, one needs comrades to embrace, to talk until the story is told, complete. Of course I should have phoned my close friends who would have taken my call, but I wonder if my mind was blocking my logic. Did I turn to the very people I might have known would not support me in the blind hope that they they might defy my expectations? Was I playing a complicated game of denying myself comfort in this most dismal moment? I was not a cab driver in 19th century Russia.

What I have done is weave myself a net these past few years as I try to make a life in my new home. I have now lived here longer in one place than any other place. I choose with care, especially in these times of uncertain pandemic, where to spend my time, and with whom. I choose more carefully, or try to.

I realized that to create community, I needed to recognize my own limitations. I still let shyness get the better of me, say no more often than yes. I still sabotage myself, not act in my best interest. I like to think I am better at it, though, at life, I my fumbling and yearnings. Yet maybe I am aware if how fragile our happiness is, how momentary.

My cat purrs, stretches and resettles herself on my thigh. Her purr is as loud as a horse.

After you read this, go hug someone you love, and hold them close. Let your tears flow, and know it is all important, all of it.

Biggest Fear

Indira Ganesan, Gather Ye Rosebuds, 2023

My biggest fear, says the nine-tailed fox, is dying a slow agonizing death in a wasteland, away from the one I love. Watching this k-drama, I think, yes, that would be my fear as well, for loneliness is devastating. But my cat chooses to jump on me then, and begins to purr. How could I be lonely?

One of the best things about living where I do are the horses I can see grazing from my high windows. They are past the small line of wetland, on a farm that has recently become condominiums, though the owner decided to keep the horses. I haven’t seen the horses for a few days and worry they have been moved elsewhere. A neighbor assures me they are still there. It is small good thing to see, horses grazing.

It is late October, and I decide to buy discounted blue lobelia for my balcony. They might last another month. The fuchsia stills blooms, as dies the stray nasturtium and morning glory. The hummingbirds have fled for warmer temperatures. I will turn 63 soon, though I still feel like decades younger, —nostalgic as well. I saw Madonna on her Blonde Ambition tour—I had a T-shirt from that show once. Sunday I will watch a movie of the Taylor Swift Eras show.

In my teens, a prophetic friend warned me to gather today’s rosebuds—was it a line from a French poet? I confess regrets for not saying yes when asked out decades ago by various people I met. A man appeared at a farmer’s market once in Boulder to offer his umbrella to me, and asked if I wanted to join his friends for lunch. Feeling shy, I declined, but twenty years later, I wish I had joined him. Bus stop was one of my favorite songs after all, and I did not see the romantic umbrella trope in front of me! Is loneliness a choice limited by fear? Does fear make us choose lonliness—fear of choosing unwisely?

Winter thoughts.

Still, the cat.

And I just saw a horse.

Peeking at Endings

A friend once claimed he read the end of books just in case something might happen to prevent him from reading to the end. He was joking, but I bet serious, too. What if I die not knowing is our fear, is it not?

Despite peeking, I watched the remaining episodes of The King’s Affection, and found the show magnificent and satisfying. It offered twists, and surprises. The ending could have been tragic, like Hamlet, with everyone dead, facing the logical conclusions of their respective actions. And in this drama, the actions were dire, violence dragged through political machination. Yet variations of endings were offered, with happiness a possibility at last, defined by love and companionship. 

I think binge watching a serial drama lowers my capacity for patience. It makes me restless, wanting my questions answered ( who ends up with whom, mostly), unwilling to see the unfolding of story, the slow tease of reveal. For instance, I have started watching another Kdrama, one that is also full of dramatic curves, but one that also has me laughing out loud. And at episode ten, I peeked to episode thirty to see how it all shook out. I left room to be surprised though, though I am aware of where the show will end. I did this though I swore not to.

It has been ten years since my dear friend Rosie passed. I miss my companion, my best literary critic. Her husband and family remain heartbroken—her life cut too short. She would roll her eyes at my kdrama obsession. Are you mad, Indira, she would say, and I would laugh.

There was no way for me to peek at the ending of our story together, no way to predict what would happen when we first met all those years ago in San Diego, both newly employed at the university there. She was brilliant, a young professor who would go on to take her field by storm, a highly in-demand mentor and scholar. I had written one book at the time , and of the maybe hundred people who had read it to the end, she was one. We became fast friends, sisters really, and my family became hers.

I only stayed in San Diego for three years, leaving in 1995, but we remained friends for twenty more years , but that was all the time allotted to us.

All over the world now, friends are losing friends in the disaster of war, in the wake of illness and old age, or sheer accident. Nothing prepares you, and nothing explains the sense of powerlessness and loss in the face of death. 

Indira, my friend Rosie would tell me now, go back and finish up your silly tv drama, and stop worrying. Better yet, darling, go write another book.


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