A Phonecall from Frank O’Hara by Anne Waldman : The Poetry Foundation

A Phonecall from Frank O’Hara by Anne Waldman : The Poetry Foundation.

 

“That all these dyings may be life in death”
I was living in San Francisco
My heart was in Manhattan
It made no sense, no reference point
Hearing the sad horns at night,
fragile evocations of female stuff
The 3 tones (the last most resonant)
were like warnings, haiku-muezzins at dawn
The call came in the afternoon
“Frank, is that really you?”
I’d awake chilled at dawn
in the wooden house like an old ship
Stay bundled through the day
sitting on the stoop to catch the sun
I lived near the park whose deep green
over my shoulder made life cooler
Was my spirit faltering, grown duller?
I want to be free of poetry’s ornaments,
its duty, free of constant irritation,
me in it, what was grander reason
for being? Do it, why? (Why, Frank?)
To make the energies dance etc.
My coat a cape of horrors
I’d walk through town or
impending earthquake. Was that it?
Ominous days. Street shiny with
hallucinatory light on sad dogs,
too many religious people, or a woman
startled me by her look of indecision
near the empty stadium
I walked back spooked by
my own darkness
Then Frank called to say
“What? Not done complaining yet?
Can’t you smell the eucalyptus,
have you never neared the Pacific?
‘While frank and free/call for
musick while your veins swell’”
he sang, quoting a metaphysician
“Don’t you know the secret, how to
wake up and see you don’t exist, but
that does, don’t you see phenomena
is so much more important than this?
I always love that.”
“Always?” I cried, wanting to believe him
“Yes.” “But say more! How can you if
it’s sad & dead?” “But that’s just it!
If! It isn’t. It doesn’t want to be
Do you want to be?” He was warming to his song
“Of course I don’t have to put up with as
much as you do these days. These years.
But I do miss the color, the architecture,
the talk. You know, it was the life!
And dying is such an insult. After all
I was in love with breath and I loved
embracing those others, the lovers,
with my body.” He sighed & laughed
He wasn’t quite as I’d remembered him
Not less generous, but more abstract
Did he even have a voice now, I wondered
or did I think it up in the middle
of this long day, phone in hand now
dialing Manhattan
Anne Waldman, “A Phonecall from Frank O’Hara” from Helping the Dreamer: Selected Poems, 1966-1988.
Copyright © 1989 by Anne Waldman. Reprinted with the permission of Coffee House Press, Minneapolis, www.coffeehousepress.com.
Source: Helping the Dreamer: Selected Poems 1966-1988 (Coffee House Press, 1989)

August brownies

Agust Brownies

Indira Ganesan, August Brownies, 2012

The fourteenth of August.  Tomorrow is India’s Independence Day. It is  also Julia Child’s 100th birthday. Happy birthday to both.

My library books are due tomorrow, though I already renewed them once.  I took out five, will return two, and renew again.  I thought I had yoga, drove to the rec center, didn’t see any cars, so drove to the yacht club, and none there, either.  Tuesday!  No class on Tuesdays! So I went to the beach, dipped my feet in the deliciously warm waters and collected stones for a garden art project.

Came home, made a smoothie, and created a distribution list for haranguing folks about my novel to come.  Apologies, you might get a letter in your cyberbox. Too hot to read those library books though I started two.  So, made a snack, wandered outside,  and unintentionally weeded the garden a bit.

Yet once you begin to weed, mindfulness takes over.  Called it quits.

Researched brownie recipes, and ate a few chocolate chips instead. A nap couldn’t hurt, I reasoned.

Why does August make me sleepier than any other month?

Woke, popped in a load of laundry, and made these brownies.  Brain food for the imaginatively challenged, (me, not HFW, obviously) I wrote on Facebook.

How does that chemical alchemy occur, the exquisite scent that is produced when sugar, eggs, chocolate combine so perfectly that the kitchen is perfumed?

The strawberry is from the garden; as is the chocolate mint.

Yellow Sun, foggy sky

Indira Ganesan, Neither Fog nor Sun, 2012

Just before six this morning, the sun was a yellow sphere, hovering above the horizon.  A pale yellow, like the yolk of an egg from a chicken that doesn’t have much room to wander.  Maybe this is a political piece.  The sky is foggy, although skies are never foggy, atmosphere is.  Skies are dark, cloudy, blue, scattered with stars.  It is going to be a hot, hazy day but there is a breeze.  A female cardinal tried to hide in the side-view mirror of my car, maybe because my rusting vehicle looks like her.  She couldn’t find a grasp.  I live in the country part of a seaside resort that is teeming a mile away.  The town is three miles long, surrounded by water and dunes, salt marshes.  Simply to write salt marches is transportive.

In six months,seven days I will have a book out.  An old friend in town has her new novel set to release in two days.  Another friend who used to live in town just had her book released. In this town, writers and painters are working, preparing, gazing into the fog, waiting for the sun to burn an idea clear. Sometimes a deep reed flute breaks the lull.

Here, I hear a squirrel land on a summer branch. The birds talk, distinct dialects. Multilayers. I had a thought but it’s gone now.  The sun shines brighter. There.